Sep 2, 2019 / New York Classical Review

…Medusa’s Lair, from Marty Regan, left the strongest impression, and not only for being a piece for solo shamisen, played with focussed drive by Yoko Reikano Kimura. … Kimura conveyed the precise intensity of the piece, which spiraled into a well of drama.

– Medusa’s Lair for solo shamisen (composed by Marty Regan) –

New works push off at Bargemusic’s Hera and Now Festival